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Flannery O’Connor: Spiritual Writings (Modern Spiritual Masters Series.) Review

Robert Ellsberg has come through again. He provides us with a marvelous review of the spiritual writings of Flannery O’Connor, most famous for her short stories but neglected, up until now, for her deep analyses of the Catholic faith and salvation.
Ellsberg selects the best from the voluminous collection of her letters, “The Habit of Being,” and arranges them for accessibility and understanding in sections entitled “Christian Realism,” “Mother and Teacher,” “Revelation,” “A Reason to Write,” and “The Province of Joy.”
Flannery didn’t want to be a voice crying in the wilderness. She wanted to reach an unbelieving audience even though she bridled at being called a “Catholic writer.” She preferred to be called “a Christian realist” and said that “one of the awful things about writing when you are a Christian is that for you the ultimate reality is the Incarnation, and nobody believes in the Incarnation, that is, nobody in your audience.” Flannery wanted her audience to be broad and for that she strove to become the best story teller possible, beginning with her stint at the Iowa Writers Workshop. She went on to become required reading in college English courses. There are PhD theses galore now on this most excellent of American writers.
Although she died just as the Second Vatican Council was beginning, she was awesomely prescient in her observations on the Church, including its warts: “We sometimes have to suffer more from the Church than we do for it.”
This is spiritual reading, yes, but it is also an inside look at a great artist.
I’m not doing justice to this book, nor to Flannery O’Connor herself. You will just have to see for yourself, which is all Flannery ever asked us to do.
Flannery O’Connor: Spiritual Writings (Modern Spiritual Masters Series.) Feature
- ISBN13: 9781570754708
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
Flannery O’Connor: Spiritual Writings (Modern Spiritual Masters Series.) Overview
Flannery O Connor (1925-1964) is widely regarded as one of the great American writers of the twentieth century. Only in 1979, however, with the publication of her collected letters, could the public fully see the depth of her personal faith and her wisdom as a spiritual guide. Drawing from all her work this anthology highlights as never before O Connor s distinctive voice as a spiritual writer, covering such topics as Christian Realism, the Church, the relation between faith and art, sin and grace, and the role of suffering in the life of a Christian.
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Endless Feasts: Sixty Years of Writing from Gourmet (Modern Library Food) Review

`Endless Feasts’ is a collection of writings about food, drink, travel, biography, and fiction from the pages of `Gourmet’ magazine from the magazine’s founding in the late 1930s to the present. The selections were made by the magazine’s current editor, Ruth Reichl, who has, in many ways taken over the throne of leading American culinary editor long left vacant after the passing of Craig Claiborne.
My first reaction, as someone who very much likes to read about food, cooking, and culinary personalities, is that this collection shows the ephemeral nature of a lot of magazine writing, especially some pieces written under less talented editors than Ms. Reichl. In a nutshell, I found this book difficult to read from front to back. In this day of the Food Network, the Discovery Channel, and the Travel channel, pieces written about Umbria or Mexico, or Tibet or Shanghai seem just a bit lifeless on the page. When they were written, most pieces were not intended to be memoirs, but the passage of time has turned them from travelogues of today into faded snapshots of a world which is no longer there.
That is not to say there are no good pieces here. There are selections written by M.F.K. Fisher, Madhur Jaffrey, Pat Conroy, Ray Bradbury, Anita Loos, James Villas, Paul Theroux, Elizabeth David, George Plimpton, and James Beard. Part of the problem is that pieces by these writers are in the minority. It is also true that in some cases, as with Madhur Jaffrey, for example, her travel memoir takes her out of her primary area of expertise, so I found her piece on India to be just a bit on the dry side. Many of the pieces by the less well-known writers are good, but maybe not great. Part of the interest of a piece by Elizabeth David is that her great reputation for being a superior culinary writer will mean that when you read her piece, if you encounter a questionable statement, you are wise to question your own judgment on the matter rather than question the author. For most other authors, if you encounter a questionable statement, you may feel a bit up in the air unless you have an unimpeachable authority for your opinion.
While I consider this a forest of trees with a wide variety in their value, one may also raise the issue of the value of the forest. How does an interest in Epicurean pleasures fit into a complete life? Is it possible that `Gourmet’ interests by their nature influence a life to wander into a less than productive fields? One piece of evidence is Jim Villas’ piece on the life of Lucius Beebe, who was a wealthy epicure who turned himself into a journalist with a disdain for the ordinary which makes H. L. Menchen’s poor opinion of the boobiesee (sic) look like a mild tic. Since Beebe embraced a style that required the support of significant wealth, are we of normal means to admire or disdain this sybaritic aesthete. Is not a life made good on average means much more interesting to study?
In a sense, I’m just thinking out loud here. There is definite value in knowing about the lifestyle of Lucius Beebe, just as it is interesting to know of the dinosaurs that took evolution in a direction that could not adapt to a cataclysmic change in their environment. Beebe’s preferences for value and competence are commendable. They are also taken in the wrong direction by reliance on great wealth.
One problem with this book for the dedicated reader of culinary writing is that we are likely to have encountered many of these pieces, or many of the same material in other sources. Does one really want to know what James Beard has to say about pasta when we have read everything that Marcella Hazan has written on the subject?
Ultimately, I think this is not the kind of book you read from cover to cover. It is the book you take with you to doctors’ waiting rooms when you are between novels or your interest in that latest Rose Levy Beranbaum `bible’ is flagging.
Thus, I recommend this book with a caution. A great book to buy at a discount. A not so great book at full list price. For great culinary writing, be sure to complete your reading of M.F.K. Fisher or Elizabeth David or James Villas or even Ruth Reichl herself before spending money here.
Endless Feasts: Sixty Years of Writing from Gourmet (Modern Library Food) Feature
- ISBN13: 9780375759925
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
- Click here to view our Condition Guide and Shipping Prices
Endless Feasts: Sixty Years of Writing from Gourmet (Modern Library Food) Overview
Contributors to endless feasts include:
James Beard/Cooking with James Beard: Pasta
Ray Bradbury/Dandelion Wine
Robert P. Coffin/Night of Lobster
Laurie Colwin/A Harried Cook’s Guide to Some Fast Food
Pat Conroy/The Romance of Umbria
Elizabeth David/Edouard de Pomiane
M.F.K. Fisher/Three Swiss Inns
Ruth Harkness/In a Tibetan Lamasery
Madhur Jaffrey/An Indian Reminiscence
Anita Loos/Cocktail Parties of the Twenties
George Plimpton/I, Bon Vivant, Who, Me?
E. Annie Proulx/The Garlic War
Claudia Roden/The Arabian Picnic
Jane and Michael Stern/Two for the Road: Havana, North Dakota
Paul Theroux/All Aboard! Cross the Rockies in Style
Endless Feasts: Sixty Years of Writing from Gourmet (Modern Library Food) Specifications
Endless Feasts: Sixty Years of Writing from Gourmet, part of the Modern Library Food series, is a fascinating compendium of Gourmet magazine food and travel pieces spanning six decades–a collection that mirrors our dining habits over the years but is timeless in its underlying theme: we are what we eat. The assembled cast is tops: James Beard on pasta; Elizabeth David lauding epicure Edouard de Pomaine; M.F.K. Fisher on her favorite Swiss inns; Paul Theroux writing about crossing the Rockies; Anita Loos evoking cocktail parties of the 1920s. Compiled by Gourmet editor-in-chief (and series editor) Ruth Reichl, and with recipes from the contributors’ pieces–including hobotee, North Carolina’s famed meat custard, and Katherine Hepburn’s brownies–the book will delight armchair and meal-chasing foodies alike.
Most readers will discover new voices among the more familiar. Present, as noted, is M.F.K. Fisher, offering one of her most splendid sun-and-shadow portraits, but there’s also the underread (and magnificently dry) Ruth Harkness providing glimpses of a World War II winter spent in a crumbling Tibetan Lamasery, where she devoured ,000 worth of rare pheasants; the drolly avuncular Joseph Wechsburg on Austria’s legendary patisserie, Demel’s (“the loudest sound you hear there is the breaking of crisp strudel dough”); crusty Maine poet Robert P. Coffin on Down East breakfasts and lobstering (“a night like a night of marriage”); and the reportorial, unblinking Jay Jacobs on Beard himself (“the man remembers in minute detail every one of the eighty-seven-thousand-odd meals he has eaten since his birth”). The quality of the essays varies, of course, but the book overwhelmingly gladdens in its rich breadth of time and place and evocative storytelling. –Arthur Boehm
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